Get in Contact

Justin Smith - Principal Investigator

Email: Justin.Smith@port.ac.uk

Tel: +44 (0)2932 845734

Ieuan Franklin - Research Assistant

Email: Ieuan.Franklin@port.ac.uk

Tel: +44 (0)2932 845734

Twitter @channel4project

Address

University of Portsmouth

School of Creative Arts, Film and Media

St Georges Building

141 High Street

Old Portsmouth

Hants

PO1 2HY

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Paul MacDonald – Co-Investigator

Paul MacDonaldPaul MacDonald is Professor of Cinema and Associate Dean (Research) in the Faculty of Creative and Cultural Industries at Portsmouth.

Screen industries are one of my main areas of research specialization. Previous work in this area includes the book Video and DVD Industries (British Film Institute, 2007) and my co-editorship of The Contemporary Hollywood Film Industry (Blackwell, 2008). I co-edit the ‘International Screen Industries’ series from British Film Institute Publishing. While my work on screen industries covers contexts of production, distribution and exhibition/presentation, my main interest is directed at how industrial conditions and arrangements influence the public circulation of cultural works and artefacts.

Developing from this concern, I am concentrating on Channel 4’s role as a distinctive distributor and exhibitor of films. This role has emerged in three ways. Starting in the 1980s, C4 staked out new ground in British television with its challenging, and often provocative, programming of film. With the Eleventh Hour (1982-8) and Ghosts in the Machine (1986 and 1988), and later the avant-garde/experimental compilations in the Midnight Underground series (1993-7), C4 expanded the range and diversity of films available to the television viewing public. Secondly, C4 branched out into theatrical film distribution, with Film Four releasing to cinemas a continuous stream of films that it helped to finance and support. Finally, in November 1998 C4 entered the pay-TV market with the subscription channel FilmFour, which was available on satellite, cable and digital terrestrial platforms, and which was later re-launched as a free-to-air service – Film4. I am interested in examining the journey which Channel 4 has taken as an innovative distributor and exhibitor of films, and the constraints and obstacles which the channel has confronted along the way.

The University of Portsmouth's Channel 4 project is funded by the Arts and Humanities Research Council and run in partnership with the British Universities Film and Video Council.
University of Portsmouth British Universities Film and Video Council Arts and Humanities Research Council

The arrival of Channel 4 heralds, at last, a change in the relationship between television and cinema. Many of the barriers between them have been union-erected, but they have served to reinforce the intellectual rather than technological division that now exist between the two media. With the fences down a new cross-fertilization can take place, potentially enriching to both sides. — Sue Lermon, “Small Screen Features”, Times Educational Supplements, 29th October 1982, p. 21.