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	<title>Channel 4 and British film culture</title>
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	<link>http://www.c4film.co.uk</link>
	<description>An assessment of the broadcaster&#039;s film policy and programming, and its impact on British film culture.</description>
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		<title>Kate Iles &#8211; Challenging Times on Channel 4</title>
		<link>http://www.c4film.co.uk/challenging-times</link>
		<comments>http://www.c4film.co.uk/challenging-times#comments</comments>
		<pubDate>Thu, 16 May 2013 14:20:02 +0000</pubDate>
		<dc:creator>Ieuan Franklin</dc:creator>
				<category><![CDATA[Guest Blogs]]></category>
		<category><![CDATA[Channel 4]]></category>
		<category><![CDATA[competition]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[schemes]]></category>
		<category><![CDATA[talent]]></category>

		<guid isPermaLink="false">http://www.c4film.co.uk/?p=419</guid>
		<description><![CDATA[We&#8217;re pleased to introduce here a guest blog from Kate Iles, who lectures in film and TV production at Roehampton and Southampton Solent universities. Kate spoke about the Lloyd&#8217;s Bank Film Challenge &#8211; the subject of this blog &#8211; at our project conference &#8211; listen to the full audio by clicking here&#8230; In September 1992 [...]]]></description>
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		<item>
		<title>NEW WORK NEWCASTLE: art/film crossovers,  Part 3</title>
		<link>http://www.c4film.co.uk/new-work-newcastle-artfilm-crossovers-pt-3</link>
		<comments>http://www.c4film.co.uk/new-work-newcastle-artfilm-crossovers-pt-3#comments</comments>
		<pubDate>Fri, 23 Nov 2012 14:34:11 +0000</pubDate>
		<dc:creator>Ieuan Franklin</dc:creator>
				<category><![CDATA[Latest News]]></category>

		<guid isPermaLink="false">http://www.c4film.co.uk/?p=785</guid>
		<description><![CDATA[ Innovation and Feature Films So does Channel 4&#8242;s interest and involvement in an initiative like Northern Film &#38; Media&#8217;s The Artist&#8217;s Cut represent evidence of a renewed enthusiasm on the part of the channel for artists’ film? This is undoubtedly too bold or premature a claim to make at this early stage but there are [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>NEW WORK NEWCASTLE: art/film crossovers, Part 2</title>
		<link>http://www.c4film.co.uk/new-work-pt-2</link>
		<comments>http://www.c4film.co.uk/new-work-pt-2#comments</comments>
		<pubDate>Tue, 23 Oct 2012 14:26:13 +0000</pubDate>
		<dc:creator>Ieuan Franklin</dc:creator>
				<category><![CDATA[Feature]]></category>
		<category><![CDATA[Latest News]]></category>

		<guid isPermaLink="false">http://www.c4film.co.uk/?p=648</guid>
		<description><![CDATA[The Artist&#8217;s Cut  On 12th October Northern Film &#38; Media &#38; Channel 4 previewed the first fruits of the Artist&#8217;s Cut initiative (see Part 1 of this article) &#8211; two new shorts by contemporary visual artists Matt Stokes and Cecilia Stenbom, entitled Two Thieves and How to Choose respectively &#8211; at the Arts TV Forum [...]]]></description>
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		<title>NEW WORK NEWCASTLE: art/film crossovers, Part 1</title>
		<link>http://www.c4film.co.uk/new-work-newcastle-pt1</link>
		<comments>http://www.c4film.co.uk/new-work-newcastle-pt1#comments</comments>
		<pubDate>Wed, 17 Oct 2012 10:50:34 +0000</pubDate>
		<dc:creator>Ieuan Franklin</dc:creator>
				<category><![CDATA[Feature]]></category>
		<category><![CDATA[Latest News]]></category>

		<guid isPermaLink="false">http://www.c4film.co.uk/?p=615</guid>
		<description><![CDATA[The closing plenary of our conference will take the form of a debate about the support from broadcasters (particularly Channel 4) for regional film production in the North East. One of the case-studies of this plenary will be The Artist&#8217;s Cut, a development initiative led by Newcastle-based creative industry development agency Northern Film &#38; Media [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Michael Darlow &#8211; In His Own Words</title>
		<link>http://www.c4film.co.uk/michael-darlow</link>
		<comments>http://www.c4film.co.uk/michael-darlow#comments</comments>
		<pubDate>Tue, 09 Oct 2012 10:59:13 +0000</pubDate>
		<dc:creator>Ieuan Franklin</dc:creator>
				<category><![CDATA[Feature]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[ATV]]></category>
		<category><![CDATA[BBC]]></category>
		<category><![CDATA[Channel 4]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[Denis Mitchell]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[Free Cinema]]></category>
		<category><![CDATA[independent production]]></category>
		<category><![CDATA[ITV]]></category>
		<category><![CDATA[Jeremy Isaacs]]></category>
		<category><![CDATA[Ken Loach]]></category>
		<category><![CDATA[television]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[unions]]></category>

		<guid isPermaLink="false">http://www.c4film.co.uk/?p=559</guid>
		<description><![CDATA[Michael Darlow is a television director, writer and producer, who has also worked in theatre and film. He writes about television, theatre and film and also about rare breed Soay sheep. We interviewed Michael on 9th December 2011. Biography: Michael Darlow has directed, written and produced award-winning documentaries, arts, music and drama programmes for the [...]]]></description>
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		<item>
		<title>Funny Money</title>
		<link>http://www.c4film.co.uk/450</link>
		<comments>http://www.c4film.co.uk/450#comments</comments>
		<pubDate>Wed, 30 May 2012 13:55:22 +0000</pubDate>
		<dc:creator>Ieuan Franklin</dc:creator>
				<category><![CDATA[Latest News]]></category>

		<guid isPermaLink="false">http://www.c4film.co.uk/?p=450</guid>
		<description><![CDATA[With Channel 4’s recent announcement that an additional £1m will be invested in the development of new British comedy films under the Film4 banner, it seems like a good opportunity to reassess the Channel’s record in this area. In a future blog we will revisit and chart 30 years of funny Films on Four, but [...]]]></description>
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		<item>
		<title>The Angel of History: Marc Karlin</title>
		<link>http://www.c4film.co.uk/the-angel-of-history</link>
		<comments>http://www.c4film.co.uk/the-angel-of-history#comments</comments>
		<pubDate>Thu, 10 May 2012 11:40:53 +0000</pubDate>
		<dc:creator>Ieuan Franklin</dc:creator>
				<category><![CDATA[Feature]]></category>
		<category><![CDATA[Latest News]]></category>
		<category><![CDATA[archive]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Marc Karlin]]></category>
		<category><![CDATA[memory]]></category>
		<category><![CDATA[oppositional]]></category>

		<guid isPermaLink="false">http://www.c4film.co.uk/?p=434</guid>
		<description><![CDATA[Last month (on the weekend of the 13th-15th April) I attended a fascinating conference in Bristol based around an exhibition and archive film screenings, which was called ‘The Spirit of Marc Karlin’, celebrating the work of the pioneering independent filmmaker. This was co-ordinated by Holly Aylett, Hermione Harris and Andy Robson. It was the one [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Comperes and Cult Cinema: Moviedrome Remembered</title>
		<link>http://www.c4film.co.uk/comperes-and-cult-cinema-moviedrome-remembered</link>
		<comments>http://www.c4film.co.uk/comperes-and-cult-cinema-moviedrome-remembered#comments</comments>
		<pubDate>Mon, 19 Mar 2012 12:34:53 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Latest News]]></category>

		<guid isPermaLink="false">http://www.c4film.co.uk/?p=385</guid>
		<description><![CDATA[In examining the contribution of Channel 4 (and, by extension, television as a whole) to British film culture, this project has a broad remit, which includes the institutional processes of film buying, programming and scheduling. Before the era of file sharing and Lovefilm, those people for whom the local Odeon had little to offer constantly [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>TV &amp; Cinema Relations: The Cold War Era</title>
		<link>http://www.c4film.co.uk/tv-cinema-relations-the-cold-war-era</link>
		<comments>http://www.c4film.co.uk/tv-cinema-relations-the-cold-war-era#comments</comments>
		<pubDate>Fri, 27 Jan 2012 11:00:08 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Latest News]]></category>

		<guid isPermaLink="false">http://www.c4film.co.uk/?p=370</guid>
		<description><![CDATA[With the recently published Film Policy Review advocating greater investment in film on the part of broadcasters (see Variety), it seems like a good opportunity to take a look back at the history of cinema/TV relations, starting with the 1950s. This was an era in which the medium of television was in its ascendancy. The [...]]]></description>
		<wfw:commentRss>http://www.c4film.co.uk/tv-cinema-relations-the-cold-war-era/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>For Want of a Cultural Film Policy</title>
		<link>http://www.c4film.co.uk/for-want-of-a-cultural-film-policy</link>
		<comments>http://www.c4film.co.uk/for-want-of-a-cultural-film-policy#comments</comments>
		<pubDate>Wed, 11 Jan 2012 19:32:45 +0000</pubDate>
		<dc:creator>Ieuan Franklin</dc:creator>
				<category><![CDATA[Latest News]]></category>
		<category><![CDATA[film policy; BFI; UKFC; BBC Films; Film4]]></category>

		<guid isPermaLink="false">http://www.c4film.co.uk/?p=364</guid>
		<description><![CDATA[Ahead of a visit to Pinewood Studios today, David Cameron has said that the film industry should support “commercially successful pictures”, in an attempt to prejudge the findings of Lord Smith’s review into the Government’s film policy, due out on Monday. To quote Mike Wayne (writing in 2002 in the print-defunct magazine Filmwaves, which has [...]]]></description>
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